2008 Pop Conference at Experience Music Project|Science Fiction Museum and Hall of Fame
Shake, Rattle: Music, Conflict, and Change
April 10-13, 2008, Seattle, Washington
How does music resist, negate, struggle? Can pop music intensify vital confrontations, as well as ameliorating and concealing them? What happens when people are angry and silly love songs aren't enough? The migrations and global flows of peoples and cultures; the imbalanced struggles between groups, classes, and nations: what has music’s role been in these ongoing dramas? We invite presentations on any era, sound, or geographic region. Topics might include:
- In conjunction with the new EMP|SFM exhibition, American Sabor: Latinos in U.S. Popular Music, how Latino musics have shaped the American soundscape and challenge black and white rock-pop paradigms, or more broadly, the unsettling effects of immigration, internal migration, displacement, assimilation, and colonization
- How music enters politics: social movements and activist responses to crises such as New Orleans; entertainment's connection to ideology and propaganda; music within "cultural policy" and as part of the public sphere; debates over copyright, corporate power, and cultural democracy; performing dissent
- Social and musical fragmentation: segregation and constructions of whiteness, divisions of class and gender, versus musical categorization and niche marketing, from big genres to smaller forms such as "freak folk"
- "Revolution" as a recurrent theme in popular music, a social or technological reality it confronts, or an association with particular genres and decades of music
- Clashes between communal, local, identity -- tradition, faith, nativism -- and cosmopolitan, global, modernization
- Music in times of war, economic crisis, adolescence, and other intense stress
- Agents of change: tipping points, latent historical shifts, carnivalesque subversions, and accidents or failures of consequence
- The sound of combative pop: what sets it apart?
The Pop Conference at EMP|SFM, now in its seventh year, joins academics, critics, writers of all kinds, and performers in a rare common discussion. Our second collection, Listen Again: A Momentary History of Pop Music, will be published by Duke University Press in November: email Laura Sell (Lsell@dukeupress.edu) for a review copy. The conference is sponsored by the Seattle Partnership for American Popular Music (Experience Music Project, the University of Washington School of Music, and KEXP 90.3 FM), through a grant from the Allen Foundation for Music.