"Dame dame dame, que te voy a dar ... una guayabita de mi guayabal."
3.23.2007
Declaraciones Juventud Afrodescendiente/Declarations of the Afro-descendant youth
Ethnomusicologist talk on Morocco/Charla etnomusicológica sobre Marruecos
Deborah Kapchan
Department of Performance Studies
NYU
"Moroccan Trance Music in Transit: Gender and the Spirits of
Capitalism"
Thursday, March 29th
4:55-6:10 pm
Silver Center 207
100 Washington Square East
3.15.2007
"Sound in the Era of Mechanical Reproduction"
November 2-3, 2007
Hagley Library, Wilmington, Delaware
For the conference, "Sound in the Era of Mechanical Reproduction,"
the Center for the History of Business, Technology and Society
invites proposals for empirically based historical papers that
analyze sound in commercial, technological, and legal environments
since the late 19th century. The conference will take place November
2-3, 2007 at the Hagley Library in Wilmington, Delaware. Our
principal interest is in papers that explore the integration of sound
with the commercial practices of music, radio, film, and television,
and the commercial engineering of sound in social environments such
as shopping and the workplace. Proposals can consider the legal and
cultural implications of innovations in technology and business
practices, such as the impact on the political economy of sound and
notions of sound and sound-based products as property. We also
encourage papers that explore sources of innovation in sound and
music (especially from communities and/or business enterprises
defined by ethnicity, race, or region), as well as those focusing on
the transnational circulation of sound-related technologies and
business practices.
Proposals should be no more than 500 words and accompanied by a short
cv. Deadline for submissions is March 31, 2007. The program committee
includes David Suisman, Susan Strasser, Philip Scranton and Roger
Horowitz. Travel support is available for those presenting papers at
the conference. To submit a proposal or to obtain more information,
contact Carol Lockman, Hagley Museum and Library, PO Box 3630,
Wilmington DE 19807, 302-658-2400, ext. 243; 302-655-3188 (fax);
clockman@Hagley.org.
Carol Ressler Lockman
Hagley Museum & Library
PO Box 3630
Wilmington DE 19807
Email: clockman@hagley.org
Visit the website at http://www.hagley.org
3.10.2007
Conference - Ethnic Studies and labor in the Corporate University
Humanities or Human Resources? The Future of Ethnic Studies and Labor in the Corporate University
Friday, April 13, 2007
New York University
Department of Social and Cultural Analysis
41 E. 11th Street, 7th Floor
NY, NY 10003
As corporate models of management and decision-making take hold of more and more colleges and universities, a growing number of students, faculty and staff are facing threats to ethnic studies programs, assaults on the integrity of academic decision-making, and the casualization of the university labor force. This conference will engage the debates surrounding what has been termed the corporate university, especially those debates that address questions of race, gender, sexuality, ability, nation, and class.
Speakers and presenters include Professor George Sanchez, Director of the Program in American Studies and Ethnicity at the University of Southern California; Alexis Shotwell, Graduate Student in the History of Conscious Program, University of California at Santa Cruz; and Professor Randy Martin, Director of the Graduate Program in Arts Politics at New York University.
The conference is free, open to the public and sponsored by New York University's Program in American Studies.
For more information and to register, please visit http://corporateuniversityconference.blogspot.com .
3.08.2007
AI cartoon on demobilization/Caricatura de Amnistía Internacional sobre la desmobilización

I know, I know, first I'm talking trash on Shakira, and now this - I'm probably pushing my luck. But you've gotta check out this little animated cartoon by Amnesty International, making fun of the paramilitary demobilization. Link/Enlace It has apparently ticked off the Colombian government, according to El Tiempo. It's kind of funny, in that ironic-spoof-on-the-1950s-consumerism-and-saccharine-pop-culture genre that liberal white people seem to like, but the more important points are that it links the farce of demobilization to a justification for US aid ("don't worry folks, human rights are under control," we are told, as Colombian congresspeople and even a Cabinet minister are revealed to be in bed with the paramilitaries guilty of massacres, extortion, and drug trafficking for over a decade) and shows the "demobilized" paramilitaries becoming paid government informers. What this informant thing means is that paramilitaries and guerrillas from groups like the FARC turn themselves in to the government and are subsequently paid by the head for people they turn in to the government. They often invent things just to get the money and their victims, guilty or not, end up getting incarcerated if they're lucky, and kidnapped, tortured, disappeared, and killed if they are not. It's also pretty sad for the ex-combatants themselves, many forcibly drafted by these armed groups and then, demobilised, put into this kind of setting. Scary. And funded by the taxes we are about to pay on April 15 here in the US.
Noticias/News
- Colombia abrueba entrada de maíz geneticamente modificada al país, a pesar de temores que contamine los cultivos de máiz natural. Enlace (traducido)
- Colombia approves importation of genetically modified corn, despite fears that it will contaminate natural corn crops. Link
- Cierran colegio en Buenaventura por amenazas. Enlace
- School in Buenaventura closed after teachers receive death threats. Link (translated)
- Plata para (algunos pocos) desplazados en Cali. Enlace
- Money for (a few) displaced people in Cali, many of whom are from the Pacific. Link (translated)
- Porteños protestan recorte de $3.000 millones de pesos del presupuesto del Hospital Departamental de Buenaventura. Enlace
- Protests in Buenaventura over 3 billion peso cut in the budget of the Departmental Hospital of Buenaventura. Link (translated)
- Shakira va a la India. Enlace Ahí, como en todas partes, les gusta "Hips Don't Lie." Personalmente, esa canción me parece una mierda que hicieron en 5 minutos en un estudio con un sample de una salsa y de un clarinete colombiano con ese Wyclef que por vendido no tiene ninguna credibilidad dentro del hip-hop. Pero bueno, perdoname la vida por no cumplir con mi obligación como colombiano de entusiasmarme por cualquier pendejada que muestre una Colombia positiva al mundo aunque sea de la más mediocre.
- Shakira's going to India. Link (translated) Seems like there, like everywhere else in the world, people love "Hips Don't Lie." Personally, I hate that frickin song, which was assembled in 5 minutes in a studio from one sample of a salsa song and one sample of a Colombian clarinet, with Wyclef who's happy to have a camera to cheese-grin into since he has no hip-hop cred whatsoever. But hey, that' s just me, sorry for not keeping my responsibility as a Colombian to love any mediocre piece of crap that shows a positive Colombai to the world.
3.06.2007
Menudo Reality Show (Baudrillard would've appreciated it/A Baudrillard le habría gustado)
RIP Jean Baudrillard QEPD

Baudrillard died yesterday.
Ayer murió Baudrillard.
Wikipedia
El Tiempo
An annotated bibliography
Jean Baudrillard is "a talisman: a symptom, a sign, a charm, and above all, a password into the next universe," (Kroker and Levin, BC 5); if you read too much Baudrillard "you are in danger of turning into a hyper-reader, and transforming the text under the power of your imagination into something of the sort it became in the hands of the Neo Geos and their apologists. At this point you are taking Baudrillard too seriously," (Danto, 48); "Baudrillard has begun to work equally hard at playing the Disappearing Theorist. He has progressively and deliberately abandoned the protocols of systematic research, scrupulous argument, thesis formulation, 'critique' -- in favor of a style of personal jotting (and jaunting) about the world ... this travelling man is no Mad Max. There's no sense in Baudrillard's glass bubble that anything nasty might happen," (Morris, HR, 28-9). "The upshot of Baudrillard's analyses is to license a kind of intellectual dandyism," (Callinicos, 147). And so, "in the end, does Theory ... come to embrace itself as work-of-art, dire object, and absolute commodity," (Morris, 101, 210).
News/Noticias
- Bush in Latin America/Bush en Latinoamérica. Analysis in English/Análisis en español.
- Chocó hospital declared unhygienic. Link (translated)
- Supersalud intervino hospital en el Chocó. Enlace
- Otra avalancha en la vía Cali-B/tura mata a 2. (Porqué no arreglan esa vaina ya? Claro que no lo van a hacer para la gente, al gobierno la gente la zona no le importa nada, pero con todo la carreta que echan sobre el trato con la Cuenca Pacífica y el Mar del Siglo XXI y no sé que más, por lo menos que piensen en mter plata a corto plazo para mejorar la economía para el futuro!) Enlace
- Another avalnche on the Cali-Buenaventura highway kills two. (They need to take care of that already. Of course the government doesn't care about the people of the area, but with all of the blah blah blah about trade with the Pacific Rim and the Sea of the 21st Century and all that, you'd think they'd put up the money in the short run to help the economy in the long run, I mean Buenaventura is the largest port in the country and they can't even keep the road out in operation for 2 months without a mudslide?!) Link (translated)
- Mejor película colombiana en Festival en Cartagena - por sorpresa tiene que ver con Medallo en los 80. Mientras algunos están inconforme porque preferirían ver una muestra máws positiva de Colombia, lo que a mi me da vaina es que Medallo en los 80 parece tener un monopolio sobre la violencia. Unos berracos los paisas, que le den chance a Siloco, al Urabá, a San Onofre, a Cúcuta, a Barranca, a Buenaventura... Enlace
- The best colombian film named in the Cartagena Film Festival - surprise, just like Vendedora de Rosas, Rodrigo D, Rosario Tijeras, Sicario and all those gory Colombian classics, it's set in Medellín in the 80s. Now some people might complain because they want Colombian filmmakers to show a more positive side of Colombia, my beef is that Medellín in the 80s has a monopoly on violence. Hey, give somebody else a chance, how about showing violence in Cali, in San Onofre, in Cúcuta, in Barrancabermeja, in Buenaventura... Link (translated)
- Cogen 160 mil discos chiviados en Bogotá. Enlace A ver si aparecen todos para el proceso o si los tombos cogen sus copias de Perro Karateka para vender como la última vez.
- Authorities find 160,000 pirate discs in Bogotá. Link (translated) The only question is, will there still be 160,000 when it comes up for trial or will the cops take a few copies of Dunston Checks In to sell like last time?
Revista TRANS quiere tu artículo/CFP from TRANS journal
Beca Pos-Doctoral en Canadá / Postdoc in Canada
Improvisation, Community, and Social Practice: A SSHRC MCRI Research Project
Postdoctoral Fellowship Program 2007-2008
We are pleased to launch our newly awarded MCRI research project with a postdoctoral fellowship program for 2007-2008. We invite applications of postdoctoral researchers for residential fellowships at the University of Guelph, McGill University, or Université de Montréal (in association with the Centre de recherche en éthique).
Improvisation, Community, and Social Practice
This research project plays a leading role in defining a new field of interdisciplinary inquiry. It brings together a dynamic international research team with a demonstrated track record in grant management and student training, and it fosters innovative partnerships with community-based organizations. Outcomes will range across a wide spectrum of electronic, broadcast, and print media, with a focus on policy-oriented and community-facing impacts. The project will have a significant effect on how research is done and how its results are implemented and disseminated, both within and beyond the academy. In addition to public discourse and scholarly publication, our work highlights collaboration with arts presenters, educators, and policy makers to ensure the broadest possible impact on Canadian society.
The project’s core hypothesis is that musical improvisation is a crucial model for political, cultural, and ethical dialogue and action. Taking as a point of departure performance practices from post-1960s jazz and creative improvised music that cannot readily be scripted, predicted, or compelled into orthodoxy, we argue that the innovative working models of improvisation developed by creative practitioners have helped to promote a dynamic exchange of cultural forms, and to encourage new, socially responsive forms of community building across national, cultural, and artistic boundaries. Improvisation, in short, has much to tell us about the ways in which communities based on such forms are politically and materially pertinent to envisioning and sounding alternative ways of knowing and being in the world. Improvisation demands shared responsibility for participation in community, an ability to negotiate differences, and a willingness to accept the challenges of risk and contingency. Furthermore, in an era when diverse peoples and communities of interest struggle to forge historically new forms of affiliation across cultural divides, the participatory and civic virtues of engagement, dialogue, respect, and community-building inculcated through improvisatory practices take on a particular urgency.
Objectives
Our postdoctoral fellowships, funded through the Major Collaborative Research Initiatives (MCRI) program at the Social Sciences and Humanities Research Council of Canada (SSHRC), support the most promising new scholars in the emerging interdisciplinary field of critical studies in improvisation, and assist them in establishing a research base at an important time in their research careers.
Our project seeks to contribute to interdisciplinary research and graduate training in this emerging field. We encourage applications from researchers working in the principal research areas related to our project: music, cultural studies, political studies, sociology and anthropology, English studies, theatre and performance studies, French studies, law, philosophy, and communications. We also welcome applications from different research areas, inasmuch as their research has a direct link with the social, cultural, or political implications of improvised musical practices.
We are particularly interested in critically informed interdisciplinary research proposals that are prompted by the theory and practice of contemporary improvised music and its related social implications. Our research program seeks to create a climate of genuine intellectual excitement where scholars pursue research projects and participate in collaborative research activities as part of a broader network of critical practice. Postdoctoral fellows will be expected to participate in project seminars, institutes, and annual colloquia, and will benefit from the stimulating intellectual environment provided by both our extensive and inter-institutional research network and our wide range of community partners. Postdoctoral fellows will play an active role in planning the activities and research of the project.
Description
Our postdoctoral fellowships provide stipendiary support to recent Ph.D. graduates who are undertaking original research, publishing research findings, and developing and expanding personal research networks.
Fellowships will normally be awarded to candidates affiliated with a university other than that which awarded the Ph.D.
Value and Duration
Our SSHRC funded MCRI Postdoctoral Fellowships are valued at $31,500 CDN per year. These are non-renewable fellowships, tenable for a 12 month period beginning in September 2007.
Eligibility, Application, and Deadline
Applicants are invited to submit a research proposal focusing on the social implications (broadly construed) of improvised musical practices. Successful candidates will be chosen on the basis of a rigorous and open nation-wide process of application, with our project's management team serving as the selection committee. Criteria for selection are the quality and originality of the proposed research, the fit with our project's overall mandate and objectives, the candidate's record of scholarly achievement, and his/her ability to benefit from the activities associated with our project. Postdoctoral fellows will receive competitive research stipends, logistical assistance for relocation, office space equipped with state-of-the-art computers, access to the services of the host institution (library, etc), and administrative, placement, and research assistance as needed. In return, fellows are expected to pursue the research project submitted in their application, to participate in our project’s research activities (colloquia, seminars, institutes), and to present their work in progress in the context of our project’s seminars and workshops.
Applicants should have completed a Ph.D. at the time of application (to be conferred by 1 November 2007). The completed application package should be received by no later than April 30, 2007.
Electronic applications are welcome, provided that original hard copies of transcripts and reference letters are submitted. Notification date: June 2007.
Applicants must submit all of the following by April 30th, 2007:
Curriculum vitae;
One scholarly paper or publication written in the course of the last three years;
A statement (1,500 words or less) describing the proposed research project;
Two confidential letters of reference (sent directly to us before the deadline);
Graduate Transcript(s).
Postmark deadline is April 30th, 2007. Send applications to:
Dr. Ajay Heble, Project Director
Improvisation, Community, and Social Practice
School of English and Theatre Studies
University of Guelph
Guelph, Ontario
N1G 2W1
CANADA
Email: improv@uoguelph.ca
Cultural Studies Conference in Jamaica / Conferencia sobre Estudios Culturales en Jamaica
Cultural Studies Initiative
University of the West Indies
Kingston, Jamaica
CALL FOR SESSIONS
Proposals are invited for SESSIONS at the 7th International
Crossroads in Cultural Studies Conference, scheduled for July 3 to 7,
2008 in the Caribbean.
The Caribbean could well be regarded as one of the first
crossroads of the modern era, where Africa and Asia met Europe on
Amerindian soil. The conditions were a forced and bitter crucible. The
results of that encounter contributed not only to the making of the
modern western world but also to the dynamism that is central to all
the cultures of the Western Hemisphere.
Of Sacred Crossroads
Being a site of conquest, dislocation, crossings, enslavement
and rebellion, but also of memory and survival, hope of return,
culture-building, in-between-ness, and immense creativity and heritage,
the Caribbean is a relevant site for hosting the 7th International
Crossroads in Cultural Studies Conference, under the theme Of Sacred
Crossroads.
Contemporary emphasis on materialism and consumerism as
measures of our humanity, arising from the unbridled excesses to which
science and technology have been sometimes put, is of growing concern,
putting under duress the intangibles embodied in the values by which we
live as human beings. Out of these concerns has sprung deepening
dialogue at the interface between science and spirituality. UNESCO?s
celebration of the intangible heritage of humankind is a timely
reminder that civilizations rise not only on great edifices, monuments
and artefacts that defy time, but also on those moments of ?livity?, or
human relationships, that last only as long as they are lived, without
which human life would have little meaning.
Of Sacred Crossroads captures many of these concerns in a
manner that allows for the broadest of interpretation and accommodation
across disciplines and forms?religion, art, dance, song, orature,
healing, re-creation, performance, ritual, belief systems, ethics,
globalization, communication, among others. Key themes for the
Conference include: Rituals of arrival and contact; Crossings?the art
of the crossroads; Spirituality and identity; Language rituals;
Globalization and the spirit; Indigenous spiritualities; Rituals of
conflict - rites of rebellion; Virtual realities; virtual
spiritualities; (Spiritual) Tourism; Rituals, substances and sacred
geographies; The spirit of music; Cultures of reconciliation;
Storytelling; Crossroad deities and divination; Geographies of the body
and spirit.
General areas of interest include:
- Body
- Identity and difference
- Media
- Gender and sexuality
- Popular culture
- Cultural industries
- Performance and gender
- Youth culture
- Religion and culture
- Nation states
- Power and knowledge
- New information technology
- Globalization and diaspora
- Nationalism and locality
- Consumerism and fetishism
- Culture and economy
- Fundamentalisms
- Cultural Studies pedagogy
- Policing the crisis
- Culture and ethics
- Critical methodologies
- Politics of opposition
- Cultures of everyday life
- Social and cultural theory
- The city
- Cultural policy
- Centre and periphery
- Space and culture
- Imagined communities
GUIDELINES FOR SUBMISSION OF PROPOSALS
The deadline for submission of session proposals is June 30,
2007. Please see the Session Organizer's Manual posted on the website
for information on length, format and guidelines for submission of
proposals. Please submit you session abstracts on our website at
www.crossroads2008.org.
THE VENUE
The 7th Crossroads Conference will be held at the University of
the West Indies (UWI), Mona Campus in Kingston, Jamaica, the largest of
the three UWI campuses. The Campus is situated in a suburb of the city
of Kingston, itself a cultural magnet, with excellent communications
and telecommunications systems, accessibility through two international
airports, and a highly developed road network.
The campus, with a student population of over 15,000, has a
rich tradition in hosting international conferences. Nestled in the
Hope Valley under the Blue Mountains, the campus is itself culturally
diverse, drawing on regional as well as international students and
boasting its own choir, steel band, dance group and rich nightlife.
There is accommodation in student Halls of Residence as well as the
Mona Visitor's Lodge, and interconnectivity including an extensive
wireless network is a feature.
Given Jamaica's appeal as a tourist destination we encourage
international participants to plan a vacation which can include
excursions to famous beaches in Negril, Ocho Rios, Montego Bay or
Portland. Various cultural and natural sites of interest include, in
Kingston, the Bob Marley Museum and the National Gallery of Art, and
elsewhere in the island the spectacular Dunn?s River Falls, the Blue
and John Crow Mountains National Park, Seville Heritage Park, and
Treasure Beach, among many others.
REGISTRATION INFORMATION
Registration information will be available by summer 2007.
Note: To avoid no-shows and guarantee the quality of all sessions, all
paper presenters will be asked to register before April 30, 2008.
CALL FOR PAPERS
- A General Call for Papers will be Issued in July 2007
For further details on the Conference
or on the Cultural Studies Initiative and Programme
at the University of the West Indies, Mona Campus,
please email: crossroads_2008@yahoo.com
Crossroads in Cultural Studies Conference 2008:
www.crossroads2008.org
______________________________
3.05.2007
Singin la vida loca
Since the only musical market that's growing is Spanish-language, now everyone and their mother is going to do albums in Spanish, from J-Lo to Beyonce. "Spanish is becoming the secret garden, where [artists] can go smell the flowers without being 'wolves' [?]. They can be expressive and romantic," says one producer. Link, translated. (Exoticism, anyone?) Anyhow, we'll see if this kind of persecution of non-traditional distribution systems in Spanish will happen as it has has in English - suing peer-to-peer software users, arresting mixtape DJs, etc....
News/Noticias
- Paisas en New Jersey Enlace
- A special on the Colombian community in Morristown, NJ Link (translated)
- Gobierno colombiano enfrenta 10 comisiones de DD.HH. en 2 días Enlace
- Colombian government faces 10 human rights comissions in 2 days over massacres and other badness Link (translated)
- Obras de construcción en el Puerto de Buenaventura Enlace
- Construction work in Buenaventura's Port Link (translated)
3.04.2007
Miranda beats Green / Miranda le gana a Green

Miranda won. I told you so. It was a wierd fight, though. Green was trying to play it cool and stay out of reach, tapping a Miranda and going for many less punches than Miranda, who just got hotter with each round, a couple of time just lowering his hands, making faces, and being like "fuckin hit me already!" One time he stuck out his tongue and pantomimed jerking off. Finally in the 8th, Miranda lowered the right hand he had up for practically the whole fight at precisely the moment when he was backing up. Green sent his Codrington-tested left hook at him and for the first time in his 29 fight career, Miranda was on the ground. It was more an opportune shot than a real haymaker but it made Miranda mad. By the 10th round, Miranda had Green reeling, knocking him down twice and pummeling him straight into the last bell - even though he already had the fight pretty much won in the scores, he couldn't control his urge to pummel Green, and if this had been a 12 round fight, he probably would gotten the KO he seemed to want so badly. Still, Miranda's most attractive feature - his power and aggression - might someday get the best of his worst feature - lack of discipline. This guy just couldn't go 10 rounds of chess match and really just wanted to tussle. He needs a bit more discipline to be a great boxer - I mean, why risk stepping close to Green for the KO when he clearly already had the fight won in decision (The scores were 96-91, 96-91 and 97-90, all for Miranda)? One of these days somebody's gonna rope-a-dope him, although they'd have to be a power hitter (like Green is) to get Miranda to even notice. But that same hotheadedness is what makes him a great fighter to watch. Let's see how he does with Kelly Pavlik, probabloy his next opponent.
ESPN article
And in other news, Colombian super-middleweight Alejandro Berrío knocked out Russian-German Robert Steiglitz in 3 for the title in the International Boxing Federation - the same belt vacated by Joe Calzaghe. Link
Ganó Miranda. No les dije? Pero de todas maneras, fue una pelea rara. Green quería que fuera ajedrez y se mantuvo fuera del alcance de Miranda, Miranda se se emputó más con cada round. Algunas veces se bajó las manos haciendo muecas como para decirle a Green "me vas a pegar o qué?!" Una vez le saceo la lengua e hizo un gesto como de paja. En la octava, Green se aprovechó de que Miranda se bajó la mano derecha (que tenía alzada casi toda la pelea, evedentemente para bloquear el famoso gancho izquierdo de Green) y por primera vez en su carrera de 29 peleas, Miranda se encontró bocaarriba. Fue más un golpe oportuno que un bambucazo definitivo, porque cayó justo cuando Miranda tenía los pies cruzados, pero sí que le calentó a Miranda. Ya en la 10a, Miranda tenía a Green borracho de golpes, le tumbó dos veces y todavía le estaba mandando de un puño al otro cuandó sonó la campana. Si fuera una pelea de 12 rondas, a lo mejor hubiera obtenido el KO que estaba intentando conseguir. Se nota que el hombre ya tenía la pelea ganada en cuanto a las calificaciones de los jurados (obviamente dominaba casi todas las rondas) pero no pudo controlar las ganas de matar a Green. Esto es la característica de Miranda es más vacano ver - su agresión, verraquera y poder. Sin embargo, puede llegar a ser su talón de Aquiles porque al fin y al cabo es una falta de disciplina - el hombre simplemente no pudo aguantar 10 rondas de ajedrez, lo que quería era darle como sea a Green. Las marcas eran 96-91, 96-91 and 97-90, todos por Miranda, entonces porqué quiso arriesgarse para conseguir el KO? Algún día, alguien más inteligente que Green le va a incitar y después meterle un rope-a-dope (aunque tendría que tener una mano dura para hacerlo, Miranda tiene mucho aguante) y va a caer el porteño. Pero de todas maneras, como digo, es una cosa bella ver a un tipo tan guerrero como Miranda. Vamos a ver como le va con Kelly Pavlik, probablemente su próximo openente.
Y en otras noticias, el super-middleweight colombiano Alejandro Berrío ganó al ruso-alemán Robert Steiglitz con un KO en la 3era por el título de la Federación Internadcional del Boxeo - el mismo título que hace poco tenía Joe Calzaghe. Enlace
3.02.2007
Internal Review Boards and you...
AFS link
AAA Link

