"Dame dame dame, que te voy a dar ... una guayabita de mi guayabal."

Showing posts with label danza. Show all posts
Showing posts with label danza. Show all posts

11.26.2010

Ballet on the Mirabal sisters/Ballet sobre las Mirabal

http://www.dr1.com/news.php#1
Mirabal Sisters - fifty years on

To mark the fiftieth anniversary of the assassination of Patria, Minerva and
Maria Teresa Mirabal
, a ballet called "Tres" (Three) will be staged at the
Mirabal Sisters Monument in Salcedo at 7pm this evening. With choreography
by Carlos Veitia and music by Philip Glass, the ballet was inspired by the
three national heroines and their struggle against the Trujillo
dictatorship, leading to their murder on 25 November 1960. The Ministry of
Culture is sponsoring the performance, which is open to the public free of
charge. Dancers include Cuban National Ballet's premier danseur Romel
Frometa, and premier danseur Maykel Acosta from the Dominican National
Ballet. The sisters will be portrayed by ballerinas Maria Valeria Melogno,
Stephanie Bauger, Alihayde Carreno and Lisbell Piedra.
* * *
http://www.hoy.com.do/alegria/2010/11/14/350106/Tres-poetica-de-danza-en-ballet-memorable

“Tres”, poética de danza en ballet memorable

El Ballet Nacional Dominicano, bajo la dirección de Marinella Sallent, se
une a la conmemoración del 50 aniversario del asesinato de las Hermanas
Mirabal, con la presentación del ballet “Tres”, del maestro Carlos Veitía.
Artísticamente, es a través de la danza como se evoca por primera vez este
hecho histórico. A propósito del estreno en 1980 del ballet “Las Hermanas
Mirabal”, escribimos en el “Listín Diario”: “Ha sido necesario que
transcurrieran veinte años de aquella tragedia que estremeció a todo un
pueblo, para que surgiera un artista con suficiente sensibilidad, capaz de
conmoverse e inspirarse en un acontecimiento histórico profundamente
dramático.

9.28.2010

Dancing with the Legendary Cha-Cha Taps

Legacy Series

Dancing with the Legendary Cha-Cha Taps
Dancer Carlos Arroyo

Panel and Slide Show

Speakers: Carlos Arroyo, Carmen Frank , Elena Martínez
Curator: Pedro Juan Hernández

Friday, October 1, 6:00 p.m.
Faculty Dining Room, Hunter College, 8th floor, West Building

R.S.V.P.Rosalie Roman or call 212.772.5714

MERCEDES MONTAÑO ARAUJO: (1912-1999)


Este biografía de la página: http://historiapersonajesafro.blogspot.com

La reina del currulao, luchó por preservar la autenticidad de las danzas, especialmente del Pacífico nariñense, Es considerada la Madre del Folclor del Pacífico Colombiano. Nació el 24 de septiembre de 1912 en Tumaco. Sus padres Doña Jesús Araujo de raza blanca Nariñense y de Don Enrique Montaño: un negro indio del departamento del Cauca. Se casa en junio 22 de 1922 a los 14 años con Romelio Angulo Cuero un hombre negro de origen Caucano, de profesión Policía, con el que tiene sus tres hijas: Kerima que nace en 1925 en Tumaco y en Guapi (Cauca) nacen: Maura en 1932 y Dayda en 1936. Después que nace su tercera hija se trasladan a vivir a Buenaventura (Valle), donde comenzó su labor de divulgadora.
Más de dos generaciones de negros aprendieron a respetar su patrimonio musical bajo la férula de una maestra exigente, severa y perfeccionista. En los años cincuenta en compañía de Teofilo R. Potes inicio el grupo de Danzas del Litoral Pacífico y Organizaron e iniciaron una labor difícil que se consolidó posteriormente. Labor que fue impulsada con la ayuda de personas como Enrique Buenaventura. "El TEC le sirvió como un puente a través del cual Mercedes pudo divulgar su trabajo hacia el interior del país. Eso sucedió a finales de los 70 cuando este grupo se fija en la tradición oral del Pacífico".
Regresó luego a su grupo original de Danzas Folclóricas Mercedes Montaño y con el recorrió todo el país. Fue la creadora del currulao tipo "Pango" y tipo "viejo bambuco", que en su concepto son la expresión más típica del negro del sur de Colombia.
Al final de su vida Mercedes sintió gran desilusión por el olvido de su folclor: "Creo que los jóvenes ya no bailan bien el currulao, les falta sentimiento. El currulao es un cortejo y como ahora ya es todo distinto, la gente ya ni sabe qué es eso, entonces no lo saben bailar", afirmó. Mercedes Montaño falleció el 24 de julio de 1999 en Cali, víctima de un cáncer de garganta, casi olvidada por las generaciones presentes pero atendida por algunos quienes fueron sus alumnos. Fue despedida en Buenaventura en medio de la música que tanto defendió. Acompañada con profundo dolor entre tantos: los ex alcaldes: los medicos Edgar Roberto Carabalí y Saulo Quiñones y el Ingeniero: Bernardino Abad Quiñones, igualmente su familia recibió de parte del Presidente Ernesto Samper Pizano condolencias.
Fue profesora de danzas en:
• El colegio Pascual de Andagoya (Buenaventura)
• Liceo Femenino del Pacífico (Buenaventura)
• Universidad del Valle (Cali)
• Universidad Nacional (Bogotá)
• Universidad Javeriana (Bogotá)
• En Bogotá formó el grupo de danzas de la Presidencia de la Reúblivca que aun se conserva.
Recibió innumerables reconocimientos entre los que destacamos: de la Gobernación del Valle, del Teatro Municipal de Cali: el Calima de Oro y el Ministerio de Educación le otorgó La Medalla Simón Bolívar.

Afrovenezuelan music and dance in Washington DC

Afrovenezuelan Excursion at the Smithsonian at Anacostia

A FREE multi-media lec-dem and performance featuring instructor and
anthropologist MESI WALTON, and JIM BYERS, host of WPFW 89.3 FM's LATIN
FLAVOR/Classic Edition! The audience will be treated to an in-depth
presentation about Afro-Venezuelan music and dance, and have an
opportunity to dance and learn from one of the DC area's leading
practitioners! The program is part of season two of last year's popular
"METRO MAMBO" Series! Due to LIMITED SPACE at the venue, RSVP's are
Required!!! Please RSVP by calling 202-633-4866.

also...

Sundays : Afro Venezuelan Dance Class
Joy of Motion Dance Studio-Atlas
11am-12pm
1333 H Street NE
Washington, DC 20002
$17 Drop-In (call to find out about discounts)
Tel: (202) 399-6763

Mondays: Afro Venezuelan Dance class
7pm-8pm
Joy of Motion Bethesda
Air Rights Building
7315 Wisconsin Ave., Ste. 180E
Bethesda, MD 20814
$17 drop-in

1.29.2008

Cultura Afrolatina en Londres/Afro-Latin Culture in London

Un evento super-interesante en Londres para celebrar las culturas afrolatinas. Habrán conciertos, talleres, exhibiciones, y charlas académicas. Entre los que están programados para los eventos del festival están el profesor Peter Wade, el músico guapireño Emeris Solís (hermano de la reconocida cantadora Benigna), el activista y cultor afrovenezolano Chucho García, y mi persona. Están todos invitados. Detalles del evento están abajo.

A very interesting event in London to celebrate Afro-Latin culture. There will be concerts, workshops, exhibitions, and academic talks. Among the events will be presentations by Dr. Peter Wade (author of Music, Race, and Nation, among other brilliant works), Afro-Pacific musician Emeris Solís, the Afro-Venezuelan activist and author Chucho García, and myself. If you're in London, stop by. Details of the event are below.

C I M A R R ó N!
A Celebration of the African Cultural Legacy in Latin America
11th to 23rd FEBRUARY 2008 FREE EVENT
www.cimarronfestival.com / info@cimarronfestival.com

Last year saw important celebrations of the bi-centenary of the Abolition of the Slave Trade in the English-speaking world. Our event has been designed to address such a historical occasion from a Latin American perspective, by highlighting and celebrating the African cultural legacy in Latin America.

Latin America is the synthesis of various peoples, races and cultures merged together into one, after a painful and inhumane process brought about by the colonization of the so-called New World with the transportation and enslavement of Africans as well as the Indigenous peoples. Latin American countries with their unique syncretistic culture have come to realize their true identity. Africa has undoubtedly played an important, vital, but often overlooked and forgotten role.

Africa’s influence is ever present in the cultural make up of Latin America. The ‘cimarrón’ or runaway African slave symbolizes for us the free and live spirit of Africa in Latin America, hence the name for our event where we will pay homage to its cultural legacy. It is their contribution, together with the Amerindian and European that make Latin America so special and unique.

CIMARRON! will take place on the 11th to 23rd February 2008 in Canning House, Bolivar Hall, Conway Hall, SOAS University and other smaller venues across London, this will be a free for all special event that will celebrate the African cultural legacy in Latin America, through music, dance, art, film, ethnicity and culture as a whole. The event will feature:

- Cultural lectures by renowned academics, such as Peter Wade (Manchester University), Matthias Rohrig Assuncao (Essex University), Alessandra Basso Ortiz (UCL, London), Michael Birenbaum (New York University), Jesus Garcia (Venezuela)

- Music and dance workshops by renowned UK based Latin musicians and dance specialists: Bosco de Oliveira (Brazil), Emeris Solis (Colombia), Wilmer Sifontes (Venezuela), Jim Le Mesurier (Britain), Flavia Chevez (Peru), Lazaro Lopez (Cuba), Miriam Ojeda (Colombia), Yuli Fuentes (Vasallos del Sol – Venezuela)

- Films and videos

- Photographic exhibitions: Lenin Arvelo (Venezuela) about the ritual of mask making and the importance of the devil in the traditional celebrations of ‘Los Diablos Danzantes de Yare’ in Miranda State, Venezuela; Iona Hogendoorn’s work (Holland) pays homage to the courage of an Afro-Colombian peace community in the rainforest near the Pacific coast, ‘La Comunidad de Paz de Cacarica’

- Music and dance performances by various Latin American artists and community groups representing different countries


CIMARRON! is organized by Bambuco Dance Project, Ola Latina and PercuDance and is funded and sponsored by Awards for All and Festival Encuentro Latino, with support from Canning House, Bolivar Hall and SOAS University.


For more information, please contact:
Luz Elena Caicedo , luzesabroso@yahoo.es / +44 (0)7956 495 179
Leoncio Caicedo, info@olalatina.co.uk / +44 (0)7950 507 798

CIMARRON FESTIVAL

PROGRAMME

11th Feb Canning House 6.30pm – Lecture and discussion
‘Music, Race and Nation in Colombia: Musica Tropical in Colombia’ Peter Wade, Manchester University

Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music-which has
its roots in a black, marginal region of the country-manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power.

Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism.

Photographic Exhibition: ‘The Colours of Cacarica’ Iona Hogendoorn
From 11th Feb to 16th Feb Canning House Library. Times: 2pm – 6pm on following days

Iona Hogendoorn’s exhibition pays homage to the courage of an Afro-Colombian peace community in their struggle for survival amid the violence they experience regularly in the rainforest, near the Pacific coast. Cacarica, designated a Peace Community, is situated exactly in the spot where they plan to complete the Pan-American Highway, this and other mega-projects: an inter-oceanic canal, wood, palm oil (bio-diesel), make this a very valuable stretch of land for various powerful groups, including the National Army, who fight over its control and ownership.


12th Feb Canning House 6.30pm – Book Launch, lecture and discussion
’Los Ganga en Cuba’ Alessandra Basso Ortiz, UCL

The Ganga Longoba is a kin related community of African descent settled in the town of Perico, in thecounty of Matanzas in Cuba. They practice a religion that in many aspects resembles other Afro-Cuban religions but which they claim to be idiosyncratic. Alessandra Basso Ortiz, examines how religious tradition and group identity were forged among the Ganga Longoba, and what enabled an ethnogenic process to take place.

8pm VIDEO: ‘Esclavo, Cimarron y Guerrero’ Cuba 2000, Spanish (no sub-titles) 27 minutes, Ernesto Daranas & Rolando Almirante (Canning House)

The story of Esteban Montejo the last cimarron in Cuba, 103 years old in 1963 started recounting his life to Cuban writer Miguel Barnet, how he was brought from Africa as a slave, how he ran away and lived as a ‘cimarron’ and later was part of the Cuban liberating Mambi Army.


13th Feb Canning House – Lecture and discussion 6.30pm
‘The Abolition of Slavery in Brazil: Memory and Historiography’
Matthias Rohrig Assuncao (University of Essex)

The public perception of the Abolition of slavery in Brazil has changed dramatically over the last twenty years. The older historiography described it as a generous act of philanthropy by princess-regent Isabel or as the result of an urban, middle-class led abolitionist movement. The Brazilian Black Movement, in contrast, has emphasized the enslaved own struggle for freedom, and has elected the maroon leader Zumbi as the symbol of Black resistance.

The more recent historiography has also highlighted the importance of slave agency in the process that led to abolition. Yet at the same time the growing visibility of Afro-Brazilian culture has brought to the foreground the songs of black communities of the interior that praise princess Isabel and insist in celebrating the 13th of May, date of the Golden Law she signed in 1888. The lecture will introduce those complex and fascinating developments, where history and memory of Abolition are subject to permanent re-elaborations.


8pm VIDEO: ‘Memorias do Cativeiro’ (Memories of captivity) – Hebe Maria Mattos, Ana Maria Lugao Rios – Brazil 2005, 42 minutes (Canning House)


18th Feb Bolivar Hall - 6.30pm (t.b.c)
Afro-Venezuelan music workshop with Wilmer Sifontes
7.30pm VIDEO: ‘Los Dioses del Futuro’ – Cuba 1992, 55 minutes, Spanish (no subtitles) TVC

Documentary about different traditional and folk music and dance celebrations in various Afro-Caribbean countries: Venezuela, Cuba, Dominican Republic, Haiti.



18th Feb SOAS UNIVERSITY – 7PM Lecture and discussion, Room G3
Lecture and discussion about Afro-Cuban music


18th Feb to 23th Feb Canning House Library. Times: 2pm – 6pm Photographic Exhibition: ‘Mask making and Los Diablos Danzantes de Yare in Miranda, Venezuela’ Lenin Arvelo

Arvelo’s work deals with mask making and the importance of the devil in Venezuelan folkloric culture.


20th Feb SOAS UNIVERSITY 7pm – Lecture and discussion, Room G3
‘The Development of Samba Music in Brazil’ Bosco de Oliveira


21st Feb Conway Hall – Afro-Peruvian Evening
6.30pm Afro-Peruvian dance workshop with Flavia Chevez
7.15pm Afro-Peruvian percussion workshop with Jim Le Mesurieur
8pm VIDEO: ‘Zapateo con clase’ – Documentary about Afro-Peruvian tap dancing – Flavia Chevez


22nd Feb Conway Hall – Afro-Colombian Evening
6.30pm (room 1) Afro-Colombian dance workshop with Miriam O. Patino
6.30pm (room 2) Afro-Colombian percussion workshop with Emeris Solis

7.30pm (room 1) Lecture and discussion
‘Abosaos, Lumbalús and Patacorés: Afro-Colombian Musical Practice at the Fringes of the Diaspora’ Michael Birenbaum Quintero, New York University

Although Colombia has the third largest black population in the Americas, the cultural expressions of black Colombians are largely unknown. This talk will describe the varied musical practices of black communities across Colombia, including the Caribbean coast, Chocó province, the runaway slave community of San Basilio de Palenque, and the Cauca Valley, with particular focus on the music of the southern Pacific coast.

This talk will examine the historical processes of retention and syncretism that have formed traditional Afro-Colombian practices and linked them to Colombian music in general, extending this discussion into the field of the newer popular musics that have been created and/or embraced by black Colombians. Finally, the presentation will touch on some of the reasons for the marginalization of Afro-Colombian musical forms both in Colombia and abroad, and the ways this marginalization is being resisted and counteracted.


23rd Feb Conway Hall 6pm – 12pm
MUSIC AND DANCE FESTIVAL CELEBRATION

Music and dance showcases by UK based Afro-Latin American groups representing Cuba, Colombia, Brazil, Peru and Venezuela, starting with an Afro-Cuban dance workshop in the main hall with Lazaro Lopez and an Afro-Cuban percussion workshop in room 3 at 6pm. In addition, there will be videos, arts and crafts and Latin American food and drink.

11.15.2007

Videos de Currulao/Currulao videos

I put up some new currulao videos on you tube and discovered that a lot of good ones have gone up recently - a year ago, there were maybe six.
Subí unos videos de currulao a youtube y descubrí que hay unos videos muy buenos que han sido colocoado ahí en los últimos 3 meses - hace un año hubo como seis.

Lo que yo he colocado son del cíclo de conciertos "Noches de Colombia" que tuvo lugar en el Teatro Colón en Bogotá en el año 1981 o 1982 y incluyó grupos de todo país. Eso fue un espacio muy importante para los grupos del Pacífico. Los primeros tres videos son del grupo Los Bogas del Pacífico, que eran en su mayoría guapireños residentes en Buenaventura y Cali. Entre el personal se destacan el "finao" Antonio Banguera, padre de Pacho, antes cununero de Naidy, ahora bombero del grupo Gualajo, y el homenajeado en el primer CD de Naidy ("Este es un homanaje a todos los marimberos del Pacífico... Toca un bambuco viejo, Gualajo, Carajo!"). El Maestro Gualajo, joven y bigotudo también aparece. La cantadora Dalia Valencia, también fallecida, muy recordada en Guapi aparece, puede ser que ésta es la única grabación de ella que existe, al igual que peaje del maestro Antonio. También aparecen Samuel Caicedo y Oliva Arboleda, ahora docentes en la Universidad Libre y figuras importantes en la música del Pacífico en Cali. Dos personas ahora más conocidos como músicos en el gremio también aparecen como bailarines: Maky López, director del Grupo Naidy, y su hermnao Juan Eliécer, director del Grupo Kenyatta. Si ustedes reconocen algún otro personaje aquí, favor de dejar un comentario.

What I've uploaded is from the Noches de Colombia concert series that was held in Bogotá's Teatro Colón in 1981 or 1982, and included groups from al over the country. This was a very importnat space for groups from the Pacific. The first three videos are of the group Los Bogas del Pacífico, mostly from Guapi, via Buenaventura and Cali. Among the members are the deceased marimbero Antonio Banguera, a young Maestro Gualajo, dancers Samuel Caicedo and Oliva Arboleda, and the also deceased and very well-remembered singer, Dalia Valencia. As young dancers, the musicians Maky López (of Grupo Naidy) and Juan Eliécer López (Grupo Kenyatta) also appear.

Me disculpan por el sonido que es muy bajito.
Sorry the sound is so low.


Currulao:


Montaje/Skit: Bunde "El Barrer," Juga "Camarón Muchillá": In this skit, a group of fisherman runs into a group of women, and they decide to have a party. They sing a bunde "El barrer" (sweeping) but then decide that you can't start a party with bunde, and sing a juga called "Camarón Muchillá," the Crawfish.


La Batea, referring to traditional gold-mining practices:


El Pilón, referring to the traditional way rice is shelled:


Otros grupos también participaron en Noches de Colombia. A este grupo, el Grupo Danzas Folklóricas del Pacífico, no lo distingo, tal vez por su muy genérico nombre. Si conocen algún músico o si tienen información al respecto, favor de dejar un comentario.

Other groups also participated. This one has the very generic name of Grupo Danzas Folklóric as del Pacífico.

Aquí tocan la Bámbara Negra, una danza muy particular con sus pañuelos entrelazados, y parte de los arrullos celebrados en el contexto religioso. El activista e intelectual afrocolombiano (ya fallecido) Amir Smith Córdoba decía que es una danza de resistencia y que contenía códigos para lograr la fuga. Es posible, pero yo lo he visto más en ese contecto religioso (vea abajo el video de Epifanía en San José Timbiquí):

Here the play the Bámbara Negra, a very particular dance with its intertwining handkerchiefs, part of the religious ceremonies called "arrullos." The Afro-Colombian activist-intellectual Amir Smith-Córdoba held that this was a dance of resistance that carried a secret code to help slaves escape, but from what I've seen its more tied to the religious context of the arrullo (see, for example, the video of Epiphany in Timbiquí below):


El mismo grupo ejecuta la Caderona/The "Caderona" dance, dedicated to a big-hipped woman:


También tuve el timpeo para subir a youtube este video de un grupo chocoano, Grupo Danzas y Cantos del Chocó Jota Careada.

I also had time to upload a Chocoano Chirimía playing a Jota Careada:


El mismo grupo hace un Makerule. Si no conocen la historia del Makerule (o Maquerule), es una historia muy bonita.
The same group plays and dances a Maquerule, which is an interesting story about an English-speaking Antillean black baker who settles in Chocó, opens a bakery, and goes broke selling on credit:


Éste es un fragmento de un documental de Telepacífico (de los 90) sobre las celebraciones del día de Epifanía en San José, vereda de Timbiquí. Uno de los muy pocos documentos profesionalmente hechos de un arrullo tradicional en su contexto. Muy valioso y super-recomendado - tenemos que acordarnos que esto no se trata solamente de música, sino de unas prácticas sonoras muy integradas con la cotinianidad del Pacífico, tanto de lo religioso como de lo profano.

This is a fragment of a documentary about the celebration of Epiphany in a town called San José on the Timbiquí River from the mid-90s. This is one of the very few non-staged representations of Afro-Pacific religiosity that I've seen, in particular the ceremony called arrullo. A real gem (except for the hokey music at the beginning):


La familia Torres - don Genaro, Pacho, Celestina, y Conrado - viven un poco arriba del pueblo de Guapi (Cauca) en una parte llamada Sansón. Ellos (con su hermano, José Antonio "Gualajo" y su padre José) salieron en el documental "La Marimba de los Espíritus" del programa Yuruparí, y son reconocidos como cultores muy importantes, aunque siguen viviendo en humildad en su rancho en Sansón. Vale la pena chequear los otros videos de música del Atlántico que ha colocado la persona que subió este video a youtube, aunque cabe reconocer que con tantos micrófonos que tiene puesto en este video, el sonido sale un sancocho completo (de pronto es culpa de youtube).

Here's the Torres family up the river a bit from the town of Guapi. The person who put this video up has some other great stuff from the Atlantic coast, although I must say that despite all the microphones s/he put up, the sound in this video is not so great. Maybe it's youtube's fault.



Aquí hay otro video de la misma persona, ahora del marimbero Dioselino Rodríguez en la San Francisco, vereda de Guapi.

Another video from the same person, here of a marimbero a little further up the river in a place called San Francisco:


The rest are other youtube videos. You could just search on "currulao" in youtube, but there's a lot of dubious stuff that comes up, so here's a few other recommended ones.

Los de más videos con otros de youtube. Claro que los encuentras si buscas "currulao" en youtube, pero hay unas cosas un poco raras ahí, entonces he aquí algunos de los recomendados:

Grupo Buscajá (pos-Aquino):

y


Unos compañeros en Washington DC, el Grupo Tangaré/some friends living in DC, Grupo Tangaré:


El Maestro Gualajo en Bogotá/Gualajo in Bogotá:

y

5.31.2007

Danza peruana en NY/Peruvian dance in NY

Peruvian Music and Dance project
Folklore, fine arts and culture
.... AYACUCHO AYACUCHO ....
Saturday, Jun 2 8:00pm to 11:00pm
St. Mark's Church in- the-Bowery
131 east 10th Street, Manhattan New York, NY 10003
DESDE LOS ANDES PERUANOS FROM PERUVIAN ANDEAN
MUSICA, CANTO Y DANZA MUSIC, SONG AND DANCE
FEATURING THE FINEST IN TRADITION
Ricardo Espinoza... Canto y Guitarra Ayacuchana
Peruincafolk.... Danzas Ayacuchanas
Andean painting exhibits by Ayacuchana Painter
.... Elva Navarro ....
Jorge Fernandez....Semana Santa Ayacuchana photos exhibits
Tickets $ 15:00 Seniors $ 10:00
TICKETS INFO: (212)697-2495 ( 862) 754- 8511 (973)478-9379
DELICIOUS HOME-COOKED PERUVIAN DISHES.

5.14.2007

Cultural Event for Displaced People in Colombian Pacific/Evento cultural a Beneficio de los Desplazados de El Charco

Your browser may not support display of this image.
NORMALMENTE CUANDO LAS PERSONAS ESTÁN TRISTES, NO HACEN NADA. SE LIMITAN A LLORAR. PERO CUANDO SU TRISTEZA SE CONVIERTE EN INDIGNACIÓN, SON CAPACES DE HACER CAMBIAR LAS COSAS (MALCOLM X)

“USUALLY WHEN PEOPLE ARE SAD, THEY DON'T DO ANYTHING. THEY JUST CRY OVER THEIR CONDITION. BUT WHEN THEY GET ANGRY, THEY BRING ABOUT A CHANGE” –Malcolm X-

Gran evento cultural a beneficio de 11,000 Afro- Colombian@s e indígenas desplazad@s en

El Charco-Nariño

A Great Cultural Event to Support the 11,000 Afro- Colombian and indigenous peoples displaced in El Charco-Nariño

Featuring:

Nueva Cosecha,

Songs of protest and Andean music

Vicky y Su Sabor Negro,

Afro-Peruvian music

Tayrona,

Colombian folk music

Afro-Colombian Folklore,

African rhythms and dance of the Marimba

PhD Michael Birenbaum

Ethnomusicologist

Saturday May 19th

6:00 pm

Wesley United Methodist Church

5312 Connecticut Ave. NW

Washington D.C. 20015

For more information:

Phone: 202-812-4181

E-mail: manuelzapataolivellacenter@gmail.com

Visit this websites:

www.renacientes.org

www.acnur.org/index.php?id_pag=6291

www.churchworldservice.org/news/archives/2007/04/660.html

www.alertnet.org/thenews/fromthefield/284081/117630330347.htm

www.un.org/apps/news/story.asp?NewsID=22167&Cr=Colombia&Cr1

Budget: CWS is seeking support for two shipments, which includes the distribution of food items (including rice, beans, cooking oil, canned tuna an other items) as well as, 1,000-liter water tanks and 25 health kits.

Contributions to support these efforts may be sent to your denominations or directly to:

Church World Service COLOMBIA (Nariño) DISPLACEMENT/FOOD INSECURITY Account #6755, P.O. Box 968 Elkhart, IN 46515

Contributions may also be made by credit card by calling: (800) 297-1516, ext 222, or online at http://www.churchworldservice.org


For more information, call 202-812-4181 or email: manuelzapataolivellacenter@gmail.com

Organized by the Manuel Zapata Olivella Education Center

Para más información, llame al 202-812-4181 o email: manuelzapataolivellacenter@gmail.com

Organizado por el Centro Educativo Manuel Zapata Olivella

2.20.2007

Currulao codificado y comercializado / Currulao: Codified and commercialized

El currulao ha llegado - pero a dónde? Ahora han sacado un video de como bailarlo, así que tiene que haber interés en él. Bacano. Pero que aprovechamiento tan cínico de la nueva visibilidad del negro en Colombia! Según la descripción del DVD, la música que incluyen es pura versión chucuchuquiada - por Dios, "La caderona" de María del Carmen?! Perfecto si querés a aprender a bailar el currulao como una cuarentona divorciada del norte de Cali después de dos guaritos. (Por ejemplo...) Que incluyan Peregoyo está bien, pero en su contexto histórico - y deberían incluir a los grupos típicos del Litoral que han trabajado tanto para sacar la música de marimba al mundo y que hasta ahora han sido completamente ignorados por la industria musical y madios masivos colombianos. No aparece ni marimba ni bombo ni cununo ni guasá ni cantadora en este DVD - tienen el currulao completamente blanqueado. Me imagino que se trata de Discos Fuentes tratando de vender música de su viejo catálago que no ha vendido desde 1967. Qué tristeza ole!

Currulao has arrived - but to where.?A video has come out purporting to teach you how to dance currulao, so there must be people interested in it. That's cool. But what a shameless way to take advantage of the new visibility of Afrocolombians! If you look at the description of the DVD, the music they have on there is what Colombians call "chucu-chucu." María del Carmen's version of "La caderona" is downright crapulous. It's good that they include the music of Peregoyo, but he needs to be in his context - his fusions are meaningless without talking about traditional currulao - but here there are no marimbas, no cununos, no bombos, no guasás, and no cantadoras. With all of the excellent groups from the Pacific that have worked so hard for so long to bring this music to the attention of the world, you would think they try and give one some exposure, but the Colombian mass media and music industry are too afraid of that. They have shown a completely whitened currulao, a horrible distortion, all in the name of selling the Discos Fuentes company's back catalog, which probably has not brought in any money since 1967. So, if you want to learn to dance like 40-year upper middle-class Cali divorcée after a pair of aguardientes (for example) by all means, buy this DVD!

2.14.2007

Dance conference in Mexico / Conferencia sobre la danza en México

MIRAR ADENTRO Y AFUERA DE LA DANZA

http://www.danzateorica.com

Aproximaciones contemporáneas a las manifestaciones dancísticas

Encuentro Internacional organizado por
DANZATEÓRICA
El Programa de Fomento a Proyectos y Coinversiones Culturales
FONCA
Y
El Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades
UNAM

Ciudad de México
12, 13 y 14 de septiembre 2007

El Grupo DANZATEÓRICA, el Fondo Nacional para la Cultura y las Artes y el Centro de Investigaciones Interdisciplinarias invitan a bailarines, coreógrafos, críticos de danza y estudiosos de la danza a presentar sus propuestas para participar en el Encuentro: Mirar adentro y afuera de la danza: aproximaciones contemporáneas a las manifestaciones dancísticas, que se llevará a cabo en la Ciudad de México, del 11 al 13 de septiembre del 2007 en el Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades de la Universidad Nacional Autónoma de México.

La relación que existe entre la danza como práctica artística y como objeto de estudio de diversas disciplinas, nos ha motivado a abrir un espacio de encuentro y diálogo sobre el estado actual de los métodos que sirven como instrumentos de investigación y creación de la danza. Hoy en día existen varios enfoques para estudiar la danza (histórico, antropológico, sociológico, filosófico, estético, médico, psicológico, etc.), así como para producirla (técnicas de danza). El objetivo de este Encuentro es profundizar sobre las distintas aproximaciones que responden a las problemáticas relativas a la praxis y al estudio de la danza.

A LOOK AT DANCE FROM WITHIN AND FROM WITHOUT
www.danzateorica.com

Contemporary approaches to dancistic manifestations

International Meeting
Organized by:
DANZATEORICA
El Programa de Fomento a Proyectos y Coinversiones Culturales
(Funding Program for Projects and Joint-ventures in culture)
FONCA
and
El Centro de Investigaciones Interdisciplinarias en Ciencias y Humanidades
(The Center for Interdisciplinary Research in Science and Humanities)
UNAM

México City
September 12, 13 and 14, 2007
DANZATEORICA; National Funding for Culture and Arts, and the Center for Interdisciplinary Studies and Research are calling dancers, choreographers, dance-critics and researchers to participate in the international Meeting: A look at Dance from within and from without: Contemporary approaches to dancistic manifestations, which will be held on September 12th through 14th,in Mexico City at the Center for Interdisciplinary Research at UNAM (National Autonomous University of Mexico).

Motivated by the existing relation between Dance as an artistic practice and as a field of study for several disciplines, we felt the need to open up a space for meeting and dialog in regards to the current state of methodologies which are used for research and creation in the field of Dance. Nowadays, there are several approaches for studying dance­historically, anthropologically, sociologically, philosophically, aesthetically, medically, psychologically, etc. There are, also, several possibilities for the practice of Dance. The purpose of this first International Meeting is to delve into the many approaches which respond to problems that are related to the practice and study of Dance.