"Dame dame dame, que te voy a dar ... una guayabita de mi guayabal."

Showing posts with label black cosmopolitans/compopolitas negros. Show all posts
Showing posts with label black cosmopolitans/compopolitas negros. Show all posts

1.09.2011

Revista Shock - Historia del picó champetero cartagenero (c/ música)

El nuevo evangelio picotero. Guía Shock de la Champeta y el Picó

Se trata de un ritmo muy joven, un niño genio que está creciendo, adquiriendo nuevos poderes, y que nos dará muchas más sorpresas en el futuro. Una guía poderosa pa’ poner la música a tronar y a la pareja a afinar paso. ¡Suénalo!

Nació en un lugar inesperado, en un momento inesperado y de la manera más inesperada. Hace unos 30 años, en lo más profundo de la Africolombia y de nuestra costa Caribe, nació un bebe musical, punketo de corazón: la champeta criolla, uno de los ritmos más originales, censurados e incomprendidos que haya parido nuestra tierra, y el único nuevo ritmo que ha dado nuestra nación cumbiera en las últimas décadas del siglo XX.

[Artículo sigue aquí: http://shock.com.co/actualidad/musica/articuloshock-el-nuevo-evangelio-picotero-guia-shock-de-champeta-y-el-pico ]

Música:
Picó El Timbalero: "La Escopeta"


El Guajiro El Tiraflechas: "Lawose Oh Yeye"


El Indio Mayeye El Cucu El Sibanicu
(Con el supuesto primer tema africano escuchado en Colombia en el movimiento picotero)

2.16.2009

The West Indian Roots of Hip Hop


Presented by City Lore and The Point CDC
Bring Out the Sound System
The West Indian Roots of Hip Hop
Saturday, February 28th, 2009, 3pm - 6pm
Free and Open to the Public
The Point CDC
940 Garrison Avenue in the Bronx NY 10474

Dr. Natasha Lightfoot of the Bronx African-American Oral History Project, will lead a discussion featuring hip hop pioneers and legends including DJ Kool Herc, Kool DJ Red Alert, Ralph McDaniels (Video Music Box) and VP Records co-founder, Patricia Chin. VP Records (named after founders Patricia and Vincent) was founded 50 years ago as a record store in Kingston called Randy's Record Mart, at a time when reggae existed only on the streets with DJs improvising toasts over the music, and large speaker systems brought out into the parks. They went on to record many of the DJ and reggae legends in Jamaica. Writers from the bi-monthly journal, Wax Poetics, will also be on hand to take part in the discussion.

The discussion will be followed by a demonstration on Jamaican and hip hop sound systems from the 1970s by DJ Kool Herc and Brother Vincent. The evening concludes with a reception, where audience members can view: From Mambo to Hip Hop: The Exhibit, a photo exhibit which complements City Lore's award-winning documentary directed by Henry Chalfant, From Mambo to Hip Hop: A South Bronx Tale; dance to the music of DJ Just Ice; and purchase West Indian fare provided by Bascom Catering with delicious roti, jerk and curry chicken, and salt fish.
For more information, please call City Lore at 212.529.1955 ext 306 or The Point at 718.542.4139 ext 27.

Train direction to The Point: 6 Train to Hunt's Point. Walk underneath the Bruckner overpass and take a left onto Garrison. The Point is one block down on your left.
Funded by the NYC Department of Cultural Affairs, the National Endowment for the Arts, the New York State Council on the Arts, and The Scherman Foundation. Publicity, Tools of War.
- - - - - - - - - - - - - - - - - - - - Graffiti: Freddy Sepulveda; Photo: Henry Chalfant; Design by Beth Higgins and Paco Levine
City Lore www.citylore.org 72 East 1st St. New York, NY 10003 t 212.529.1955 f 212.529.5062 e info@citylore.org

3.31.2008

Manuel Zapata Olivella

Lucía Pulido (the singer, who did an amazing set with her trio on Saturday at MACSEM) recommended this to me: a documentary on the life of Manuel Zapata Olivella, an incredibly important black Colombian intellectual, who traveled Colombia, hung with Langston Hughes in Renaissance-era Harlem, wrote short stories, plays, and novels (most famously Changó el gran putas, translatable as Changó, One Bad Motherfucker), and founded an Afro-Colombian performance group and took it not only to Bogotá (where they'd never heard any of that stuff before), but to Russia and China, and was an all-around polymath, activist, ethnigrapher, and philosopher. You can find the doc (subtitled), photos, writings by and about him, and a lot of other resources here. Enjoy.

Lucía Pulido, la cantante, quien cantó con su trio el sábado en una conferencia sobre etnomusicología (lindísimo el concierto, si no conocés la musica de ella buscala), me recomendó esto: un documental sobre la vida del Maestro Manuel Zapata Olivella, figura importantísima de la intelectualidad colombiana y negra. Zapata viajó por Colombia, conoció de primera mano al Harlem de la época del Jazz, escribió novelas, cuentos y obras de teatro, fundó un grupo folklórico afrocolombiano y lo llevó no solamente a Bogotá (donde no conocían nada de eso) sino hasta Moscú y la China. Es decir, un gran erudito, activista, etnógrafo y filósofo. Se encuentran el documental, fotos, escrituras por y sobre él, y otros recursos aquí. Gracias Lucía!

2.07.2008

Why Afro-Colombians Oppose the Colombia FTA

February 7th, 2008

Marino Cordoba, founder of the Association of Internally Displaced Afro-Colombians (AFRODES), submitted this post as a guest blogger for The Hill.

The U.S.-Colombia Free Trade Agreement is considered a non-starter in the U.S. Congress because the country is the world’s deadliest for union activists. Less known, but equally disturbing is the systematic violence now confronting Afro-Colombians.

African descendants comprise 26% of Colombia’s population. As with other African descendants, we face racial discrimination which results in economic hardships far worse than those experienced by the average Colombian. However in Colombia, a vibrant 1980s civil rights movement won full recognition of our cultural rights and collective ownership and community control of our territories and natural resources. The 1991 Colombian Constitution and the landmark Law 70 explicitly enshrine these rights and recognize official democratic Afro-Colombian governance structures, similar to those of your Indian tribes.

The administration of Colombian President Alvaro Uribe has worked consistently to undermine our hard-won civil rights and our control of our territories. Systematic violence against our people and assassinations of our leaders continue unabated to this day.

At the end of 2007, angered by the strong opposition of the majority of Afro-Colombian communities to the U.S.-Colombia Free Trade Agreement (FTA,) Uribe created a new Commission in Colombia that directly challenges our legal governance structure.

Cynically dubbed the Commission for the Advancement of Afro-Colombian People, it would undermine our communities’ ability to advance development strategies chosen by our people that comport with our needs and that help even the economic playing field.

Obviously, our official governance structure and our grassroots organizations oppose this new Commission. Despite this, President George Bush and other U.S. Uribe allies, such as Rep. Gregory Meeks (D-NY), and the vast array of lobbying firms hired by the Uribe government are now trying to tout this outrageous Commission as evidence that Afro- Colombian concerns are being addressed as they push to pass the FTA.

Don’t be fooled. President Uribe, the Bush Administration and Congressman Meeks may not like what authentic Afro-Colombian representatives are saying, but our legitimate governing bodies vigorously oppose the FTA, as well as other efforts by Uribe to impose natural resource exploitation projects in our territories without our consent.

Because the Colombian law is on our side, wealthy interests have employed illegal means to physically remove us. Joint operations between the Colombian military and illegal terrorist paramilitary organizations like the “Operation Genesis” in the Afro-Colombian Chocó region have targeted our leaders with assassinations while the Colombian military has aerially bombarded our communities.

Tens of thousands of us have been forced to flee. These attacks clear the way for the entry of oil palm plantations, logging operations, and mining projects advanced by allies of the Uribe Administration.

Colombia has more than 3 million internally displaced peope. This kind of forced displacement is now occurring in port communities and other regions supporters of the FTA seek to develop. None of our lands have been returned to our control.

Accompanying these physical attacks has been a legal assault aimed at formalizing the theft of our land. The Uribe government passed new Forestry and Rural Development Laws and has amended the Mining Law to extinguish our rights and empower oil palm, logging and other companies that have utilized the services of paramilitaries to occupy our territories.

Our communities have vehemently opposed these laws as unconstitutional. Recently the Colombian Supreme Court ruled against the Forestry Law, which would have removed our control of the forests on our land. Our Supreme Court ruled that under international and Colombian law, the Afro-Colombian and indigenous communities that strongly opposed the law should have been consulted * which they were not.

The Colombia FTA is the same situation. It is a proposal that our communities oppose, about which our traditional authorities were not consulted, and which would lock in the paramilitary-financiers control of our land. Specifically, the FTA’s expansive foreign investor rights would empower multinational corporations investing in these projects with protections that would make restoration of our lands extremely difficult, even when we win in our courts.

Recognizing our opposition, Uribe and his allies devised this new Commission, which is stacked with Uribe supporters and individuals known to support the FTA, to feign “consultation” with Afro-Colombian communities and issue a determination that the FTA is good for us despite our communities’ contrary conclusions.

Rather than a positive development, this new Commission is a sophisticated ploy to undermine Afro-Colombian rights and is a part of a broader strategy to elevate unrepresentative and illegitimate pro-FTA individuals against the stated interest of Afro-Colombian communities themselves.

Congress can help Afro-Colombians by demanding that President Uribe respect the Colombian Constitution and terminate this Commission that challenges our civil rights. And, Congress should pass House Resolution 618 sponsored by Rep. Donald Payne (D-NJ) on the plight of Afro-Colombians.

Marino Córdoba is the founder of the Association of Internally Displaced Afro-Colombians (AFRODES). He played a key role in the struggle to secure Colombia’s progressive Law 70, which grants land rights to Afro-Colombian communities. After surviving many attempts on his life, Mr. Cordoba has been forced to live in exile in the United States.

1.29.2008

Africolombia: blog barranquillero

Short English summary: a cool blog that's like a history of popular-class musical taste in the Colombian Caribbean, from Congolese soukous to Haitian kompá to Colombian champeta.

Un blog bacanísimo de un barranquillero con buen gusto musical. Obviamente tiene información sobre el Carnaval actual - entre otros, Les Schleu-schleu de Haití. (Hay que agradecer a un tipo que toma el tiempo para bloguear en plena época de Carnaval.)

Pero resulta que el hombre es como un experto en la música colombo-caribeña moderna.
Es decir, no solamente en cumbia y porro, sino también en champeta, zouk, sokous, mbaqanga, y todas las demás músicas que, de hace más de 40 años, se escucha en los picós y equipos de sonido de la costa caribeña colombiana. Como:
y:
Y tiene .mp3!

12.06.2007

Internet distribution and topical hip-hop

Lil Flip, who put together a tribute song for the deceased Pimp C, put on his Myspace page, is quoted in the Houston Times as saying he released the song on the internet because "Record labels like to stick with the way things were in the old days," Flip says. "Taking eight months to set up an album, things like that. But sometimes fans just want something then and there. You've got a song or video being played on TV and radio, but the album's not out. Now you can give it to them without any wait."

I know, right - duh, but it makes me wonder about artists like Flip, who have one foot in the old mix tape/net economy and one in the majors. How are the two integrated? How not?

Secondly, it just goes to show how digital distribution technology is such an important tool in the cultural production of the descendents of Africans. The good old topical song, from the diss or tribute rap to the Puerto Rican plena to the griot epic of Sundiata, is only helped along by the net. So you don't have to do the robot to be a part of black futurism.

11.06.2007

Kuduro, qui na mata

The growth of electronic musics in the global South continues. This is Kuduro music from Angola, the song is "Qui no mata," a song that you can dance even if you've got one leg, a huge wedgie, are 10 years old, or think your shoe is a phone. Interesting that the old break-dance, uprock, and pop and lock moves have lasted so long...

La música electrónica sigue creciendo en el Sur global. Esta es música Kuduro de Angola, el disco se llama "Qui no mata," y se puede llamar incluso si tenés una sola pierna, una laika impresionate, 10 años, o una condición mental que te hace confundir tu zapato con un celular. Bacanísimo esto. También hace pensar - tan increíble que los estilos del viejo breakdance han perdurado tanto tiempo...



In this video, Tony Amado explains (in Portuguese) the origins of Kuduro - a wicked combination of the Fruity Loops computer program and Jean-Claude van Damme dancing in a movie.

En este video, Tony Amado explica (en portugués) los orígenes del Kuduro, una combinación del software Fruity Loops y una coreografía de Jean-Claude van Damme.

The creation of Kuduro by Tony Amado

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